Over the course of its almost 185-year existence, TU Delft has built rich and varied historical collections that reflect the development of the university, technical research, and education. Part of these are centrally managed by the TU Delft Library, while a significant portion is held by the various faculties. They span the full breadth of the university, from architectural models and crystal structures to telephone exchanges and satellites.
The Library launched the Programme Tailor-Made Approach to Faculty Collections, commissioned by the Executive Board, to support the faculties in professionalising the management and use of these collections.
Between 2022 and 2026 the Library run programme Tailor-Made Approach to Faculty Collections advised and supported the faculties on their historic collections. This exhibition is the final act of the programme and shows some of the many objects, collections and stories the team has found.
For almost 185 years, TU Delft has been acquiring a rich variety of historical objects. These objects reflect the development of the university, as well as its technical research and teaching. Some are centrally managed by the TU Delft Library, whilst the rest are held at the faculties. With everything from architectural models to satellites, they demonstrate the breadth of subjects taught on campus.
But when does a group of objects become a collection? It is not just a shared history or location- a collection needs to be tangible, with a defined purpose and a clear sense of its limits. For the last four years, the Tailor-Made Approach to Faculty Collections programme has worked to transform the historic objects found in the faculties into official collections for the TU Delft.
This was not a simple assignment. Objects first needed to be located: a lengthy process of opening boxes and faculty basement doors. Once found, they had to be researched, gathering information by talking to university staff and external experts. Only once every object had been identified could a collection be defined, and the objects registered, photographed, and stored.
The TU Delft is not a museum. What this means is that the collections on campus are not intended to be displayed behind glass but are for active use in teaching and research. Whilst some pieces will always be too fragile to be passed around a lecture hall, most collections on campus contain objects that are intended to be freely handled and used.
Some collections aim to give users a literal feel for the subject matter, such as the historic appliance collection at the faculty of Industrial Design, or the aircraft parts at Aerospace Engineering. Others are intended as a visual aid, like the collections of molecular models at the faculties of Mechanical Engineering and Civil Engineering & Geosciences. Still more are made by students themselves, such as the freehand drawings and architectural models made as part of courses taught at Architecture and the Built Environment. What these collections demonstrate, is the diverse landscape of successes and failures, of how designs developed through experimentation and observation, and of how the university and its research stands in the broader society.
It is hard to represent science with just one object. For one thing, the process of research is rarely possible in a vacuum. Whilst the results of an experiment may be something tangible to be collected, how can one object represent the collaboration between research teams, colleagues in the field, companies, and research institutions? Secondly, more and more often, modern scientific objects are just black or silver boxes. Its function is hardly visible for the audience.
There are other challenges concerning tangibility. Science works often on a scale not visible to the naked eye- either microscopic or unimaginably large, whilst results are increasingly digital. Research data sets, computational calculations, large digital models: how can these complex and immaterial sides of science be collected?
A possible solution is showing the context, in text, charts or images. Here several scientific objects and intangible collaborations are shown. Can you guess without reading the texts what they were used for? Or even from what faculty they are coming? Click on the pictures and read the texts. Did you guess it right? How would you present these objects to make their complex stories visible?
"Light always comes from the left, unless it comes from the right"
Dr Abraham “Bram” van Heel (1899-1966) developed his alignment method during the Second World War. It was based on Young’s double slit experiment (1803) and Fresnel’s theory (1816) which demonstrated the wave behaviour of light with a double slit. Van Heel put his method into practice during post-war reconstruction, rapidly rebuilding the Hedel bridge's 126-metre span. The alignment method could accurately determine the positions of the bridge arch and pier supports to tenths of a millimetre. This meant that the bridge could be constructed simultaneously at two separate locations - the piers in Hedel and the span in Delft - shortening construction time by months.
Van Heel's preference for simple and practical solutions eventually led to his highly accurate alignment method that worked even over long distances. His philosophy of "do it with simple equipment" can be clearly seen in how he achieved his method. Van Heel was not satisfied with the alignment devices commonly in use at the time, which ranged from simple steel wire to expensive, high-quality optical instruments mostly imported from Germany.
Even measurements from quality equipment were affected by aberrations and unwanted bending of light (“diffraction”). However, this is where another Van Heel motto- "make your enemies your friends- comes into play. His alignment method works by making use of these optical phenomena.
Using a “zone plate” with concentric circles, Van Heel aligned three points- the source point, an equidistant sun plate, and the crosshair on an eyepiece- to form a straight line. The zone plates create an interference pattern which allows for a very precise alignment. When light shines directly onto the zone plate, the rays form a circular interference pattern. When the crosshair is in the middle of these circles, all three points are aligned. With the placement of the grating, you can create a perfect line to align two points, such as the two halves of a bridge.
Meet the study collections of the faculty of A&BE. These collections are part of the faculty’s heritage, but still relevant today. In the faculty various collections are on permanent display.
The display cases in "De Straat" on the ground floor present both results from education and the various faculty collections. A display case near the entrance to the library functions as a viewing depot for historical objects from the Freehand Drawing collection. Here, it forms an addition to the Chair Collection and the faculty’s Timeline, which places several museum pieces from the heritage collection in their correct historical context.
The collections originate from education or research at the faculty, and reflect different areas of interest and educational methods specific to it. The collections are still in use, in education, in museum exhibitions and for research.
Students studied 20 chairs during the Minor Spaces of Display. The project had four stages: research into historical context of chair, designing furniture to go with the chair, designing an interior space around it, and finally creating an exhibition of the results in Theater De Veste in Delft. This poster was part of the final exhibition in Theater De Veste, Delft, Jan-Feb 2026.
The layered landscape of the bocage landscape of the Achterhoek, a region in the east of the Netherlands, inspired a thesis written in the 1970s at the TU Delft’s faculty of Architecture, by a student named Jacques van der Harten. For this thesis he made five drawings to document the bocage landscape surrounding Woold, a municipality near the German border. Van der Harten chose the subjectbecause he felt the discipline of landscape architecture was missing in the curriculum , and wanted to document a landscape at risk of disappearing.
The drawings are now in the archive of the faculty's Freehand Drawing Department. In this series of posters student Kirsten Treure explores their historical context, outlining the history of freehand drawing education, the introduction of the landscape discipline at the TU Delft and exploring what the education was like in Van der Harten’s time. This student research project, inspired by Van der Harten’s drawings shows how faculty history can be made an active part of current teaching in the Msc Thesis course.
Architectural models play an important role in education at the Faculty of Architecture and the Built Environment. The collection continues to grow, partly as a result of education projects. Within the faculty’s teaching, physical model are often used as a design and research tool. For some studios, model-making is even an essential part of their design and research philosophy.
The faculty also contributes to and organizes exhibitions in museums and other venues. Models created for these larger exhibition projects are made in the faculty’s own workshop, and often become part of the collection as well.
What does technical heritage mean for a future-oriented faculty like Technology, Policy and Management?
History contextualises contemporary processes. Change is driven not only by technological breakthroughs, but also by the social, cultural, and political contexts in which they occur. It is precisely this broad perspective that offers insight into the factors that have shaped phenomena into what they are.
What stories can this object tell? Four TPM experts share their insights, taking this early luggable computer as a starting point: the Sharp PC-7000 (1985, from the study collection of the faculty of Electrical Engineering, Mathematics and Computer Science).
by Prof.dr.ir. Nitesh Bharosa
by Dr. Seda Gürses
by Prof. dr. Jeroen van den Hoven
by Dr. Anneke Zuiderwijk
Jan Ebbinge surveys, OTB image archive, photo: Axel Smits.
Surveying, or geodesy, focuses on determining the relative positions of points on the Earth’s surface. This field reached its peak in the 18th and 19th centuries with large-scale triangulations and Dutch national mapping projects. Instruments such as theodolites and tacheometers made increasingly accurate measurements possible.
For centuries, surveying has formed the basis for cartography, infrastructure, and water management. The work required precision and thorough understanding of measuring principles. Although many processes nowadays have been digitalised and automated, these principles remain indispensable. They continue to serve as the foundation for measurements in civil engineering and geosciences. At the predecessors of TU Delft, surveying was an important part of the curriculum.
The transition from traditional surveying to aerial surveying in the 20th century made it possible to systematically map large areas and reconstruct them in three dimensions. This had various applications within civil engineering. The combination of image data and computational methods marked a significant step towards digitalisation, enabling data to be processed and applied more efficiently and on a much larger scale.
Within the faculty of Civil Engineering and Geosciences, the principle of photogrammetry is applied not only in research but also in education. Interactive maps and digital models support students in understanding the complex relationships between landscape, process, and design. The technology enables a more visual and data-driven approach to analysis.
The advent of satellites made it possible to map the Earth on a global scale. Although measurements are taken from great distances, satellites provide more information than ever before. Through remote sensing, Earth observation satellites generate a continuous stream of data about our planet. From space, they constantly monitor the Earth’s surface, collecting information about landscapes, cities, water systems and natural environments. These data make it possible to track developments and visualise changes over time. Within civil engineering and geosciences, advances in big data have led to a strongly data-driven approach, in which measurement, analysis, and modelling are closely interconnected.
Meet the study collections housed in IDE. The faculty has series of consumer electronics at the HBI collection and in the Freehand Drawing collection, used to enrich education.
These displays support the course Understanding Design with objects from the Henri Baudet Institute. The goal of this exhibition is to clarify the abstract topics and perspectives taught in the course by linking them to tangible historical artefacts collected at the faculty.
Besides this first introduction, you can experience the collections on the mezzanine around Freehand Drawing, and in the display cases downstairs near the HBI institute.
The faculty of Electrical Engineering, Mathematics and Computer Science (EEMCS)’s current building at the Mekelweg 4 opened in 1969. To mark the occasion, a modest-sized exhibition was set up in the basement of the low-rise building, focused on a large and unique collection of vacuum tubes. This is how the EEMCS Study Collection came into existence. From that moment on, historic objects have been finding their way to this basement, including items dating back to the start of the teaching of electrical engineering in Delft.
This first exhibition grew to become a wide-ranging study collection with around 40,000 objects split into eighteen sub-collections. Museum-worthy pieces with national importance find their place beside the mundane, representing fields including audiovisual, telephony, high voltage and computers.
In 1950 Willem van der Poel built one of the first computers in the Netherlands as a graduation project. It was an assignment from professor of Optics, Abraham van Heel, who needed it to perform complex calculations for wide-angle lenses, amongst others. The machine was equipped with around 600 telephone relays, ‘borrowed’ from the PTT central laboratory. It was christened ‘ARCO’ – ‘Automatische Relais Computer voor Optica’ (‘Automatic Relay Computer for Optics’).
The computer could not be described as fast. A single addition took 30 seconds; multiplication, division, or a square root extraction took 45. For this reason, it received the nickname ‘Testudo’, from the Latin word for tortoise. The Testudo was in use by TNO’s Institute of Applied Physics for calculating lenses until 1964.
The EEMCS Study Collection contains many objects that can feel large, unwieldy, or cumbersome today. But don’t forget that these objects were once the newest and most cutting-edge technical solutions.
The 20th century can be categorised by its rapid technological advancements. The Apollo 11 computer that landed mankind on the moon had less memory than a Game Boy made only 20 years later. Anyone with a career in this faculty in the second half of the previous century could have realistically worked with every stage of computer history. Every one of these developments – from Testudo to iPhone – had a period where they were the most cutting-edge technology known to science.
How can historic objects be made relevant for today’s students? Why should students look to the past? In EE1G1, Introduction to Electrical Engineering, students first learn where computing came from. Before learning to code, first-year students are taken through the history of computation itself, using objects from the Study Collection as touchstones.
Slide rules and abacuses as early assistive calculation tools, a magnetic core memory plane that stored bits as tiny magnetised rings, and a mechanical relay-based adder that performed binary arithmetic with electromechanical switches decades before transistors existed. Seeing and handling these objects gives students a tangible sense of how far, and how fast, computing has travelled, and grounds their first lines of code in a much longer story.
This mechanical calculator, known as "The Millionaire", demonstrates the best of 1890s precision engineering. Using an ingenious system of gears and cams, it was the first (commercially successful) mechanical calculator that could perform a direct multiplication, which dramatically increased the speed of complex arithmetic at the time. Rather than calculating multiplication as a long series of additions, its mechanism was based on a mechanical representation of the multiplication table. Around 5000 of these machines were produced worldwide between 1893 and 1935.
Every year, botanical gardens take stock of the seeds harvested from their own gardens, as well as any excess gathered during collecting trips. They publish this information in an ‘Index Seminum’ (Latin for ‘seed index’), which is then distributed and shared to participating gardens, arboretums and research institutions who can request any of these seeds free of charge. The publication of an Index Seminum has been an annual task for botanical gardens for centuries.
Collecting and sharing seeds has always been a vital way to obtain diverse botanical material. Herman Boerhaave kept an ‘Index Seminum Satorum’ between 1712 and 1727 for the Hortus Botanicus in Leiden, which listed the seeds he received from other gardens. This practice was standardised throughout the 18th century, until it became the annual exchange of published that continues into the present day. TU Delft Hortus Botanicus published their first Index Seminum in 1919.
Not all of the seeds kept at the Hortus are intended to be grown. One example of this is the historic seed collection, an almost complete collection of non-viable seeds collected between the 1890s and the late 20th century. During the garden’s off-season in 2025, Hortus staff repacked and relabelled almost 12,000 vials containing the collection. updating the records and adding modern names of previously colonial territories. Thanks to their hard work, the seed collection is now accessible to researchers.
Non-viable seeds were originally intended to complement the Hortus’ herbarium (preserved plants) as part of its original role as a ‘technical garden’ to aid in the study of technical botany. Seeds from the same plant, one gathered a century before the other, can be monitored to see how seed traits and genetics have shifted over time. For this reason, seed collections remain an essential resource in tracking climate- related changes.
Seeds can unite the world. In the 1940s, botanists in China heard reports of a huge unknown tree in the village of Modaoxi in Luchuan County, Hubei. After studying the seeds they had collected, it became clear that they had found a ‘living fossil’: a species only known to botanists through the fossil record. Up until this point, it had been assumed that the Metasequoia glyptostroboides, or ‘dawn redwood’ had been extinct for 150 million years.
In July 1947, Harvard University funded an expedition to acquire Metasequoia seeds for their collection. The timing of this proved fortunate; it was one of the last collaborations between American and Chinese botanists before the proclamation of the People’s Republic of China in 1949 prohibited exchange with the West.
This rocket motor test unit was developed by Volvo in collaboration with the European Space Agency (ESA). It is associated with the development and testing of propellant formations, material durability and nozzle designs for the first stage of the Ariane 4 launch vehicle. Securing the motor static test stand, engineers can precisely measure the physical performance, ensure system reliability, and validate engineering models. The complex network of pipes, valves and instrumentation enabled engineers to closely monitor and adjust operating conditions during experimental runs, generating vital data for the advancement of European rocket technology.
Science is teamwork, rarely possible in a vacuum. It creates a network between research teams, and throughout the university and its technicians, support staff, and research collections. It also connects with colleagues in the field, companies, and research institutions. Science creates an unbroken line, constantly building on previous theories to come up with the next idea.
The TU Delft collections are older than the university itself. They demonstrate the long and interconnected history of cooperation between different fields of research, between the university and institutions, and between the past and the present. However, many of these collections had become neglected and required attention. For the past four years, the Library Tailor-Made Approach to Faculty Collections programme has been working to bring these collections and their stories back to life.
The electron tube, also known as a radio tube or vacuum tube, was a key component in electronic circuits throughout the first half of the twentieth century. When the American Lee de Forest (1873-1961) in 1906 invented the triode vacuum tube, it became possible to manipulate and, above all amplify electrical currents. These tubes were used in a wide range of devices, but especially in measuring equipment, radios and TVs ("cathode ray tubes").
Afterwards important improvements were made, the most significant one being the pentode developed by alumnus and later TH Delft professor, Bernardus D.H. Tellegen (1900-1990) who worked at the Philips Physics Laboratory (NatLab). The pentode, with five electrodes instead of the original three, was used in Philips' first radio receiver and later used in almost every radio or amplifier. From 1950 onwards, most electron tubes were gradually replaced by transistors, making the equipment lighter and faster.
TU Delft manages a large and unique collection of electron tubes, which shows the development of this essential element in all its shapes and sizes. The collection is closely linked to research in electrical engineering in Delft and is a good example of collaboration with the commercial sector.
Many of the developments at the university reflect societal changes and vice versa, sometimes in the most unexpected ways. The chairs designed by Gerrit T. Rietveld (1888 -1964) - from the faculty of Architecture's chair collection, are here paired with this model of a Fokker F27-Friendship, made and tested at the faculty of Aerospace Engineering in the 1950s.
Both the Fokker F27 and the Rietveld chairs are icons of Dutch Design, with the Fokker F-27 elected as the “Best Dutch design” in 2006 in the newspaper NCR Handelsblad. But the connection goes further: Rietveld even proposed an interior for the F27 that included his famous colour scheme (although ultimately another design was chosen).
The airplane was of course more than just pretty: its strong structure and high-wing design made it suitable for many different conditions. It first flew in 1955 and it became of the most successful aircraft of its kind. Today, both the airplane model and the chair are part of study collections at the TU Delft and can continue to inspire both present and future students.
A scientist is nothing without their instruments that can show the world from a new perspective. Researchers and instrument makers have often worked closely together to get the instruments exactly to their specifications, as shown by the instrument workshops in several TU Delft faculties. This can not only impact the research of the university, but also the teaching of future generations.
Dr Carolina (Lili) E. Bleeker (1897 – 1985) was an optical scientist and physicist from the first half of the 20th century. She defied the gendered expectations of the time by founding the Nederlandse Optiek en Instrumentenfabriek Dr. C.E. Bleeker (Nedoptifa) in 1931. Her factory in Zeist produced the phase microscope that secured Zernike the Nobel Prize in 1953. She also had worked closely with scientists of the TU (then TH) Delft, which made much use of her optical instruments.
Sometimes you need family to solve a problem, or at least a good colleague. TU Delft (then TH Delft) prof. dr Willy G. Burgers (1897-1988) was well known in his field of physical chemistry, later known as material sciences. His brother Jan M. Burgers (1895-1981) was an even better-known physicist and a also professor in Delft, and later at the University of Maryland (USA).
Their challenge: solving the unpredictable imperfection of materials. At first glance, crystals appear ordered with their atoms arranged in repeating patterns. Yet beneath the surface lie tiny structural irregularities known as dislocations - defects that can profoundly influence how materials behave.
This exhibition was made possible by
TU Delft Library
Tailor-made Approach to Faculty Collections Team
Academic Heritage, History and Art (AHHA) Team
Photography
Johannes Schwartz
With contributions from Bas Czerwinski, Nico te Laak, Geertje van Achterberg and Jan van der Heul
Exhibition photography: Nico te Laak
Film
Executive Board: Eric te Berg
Library: New Media Centre
Graphic design for physical exhibitions
Vanessa van Dam and Adriaan van Mellegers
Printing
Omber Reclame
With thanks to
EWI Study Collection
Faculty of Electrical Engineering, Mathematics and Computer Science
Faculty of Civil Engineering and Geosciences
Stichting De Hollandse Cirkel (Dutch Society for the History of Geodesy)
Faculty of Mechanical Engineering
Faculty of Technology, Policy and Management
Hortus Botanicus
TU Delft Library Museum Collection
Faculty of Architecture and the Built Environment Model and Chair Collection
Faculty of Architecture and the Built Environment
Optics Collection, Faculty of Applied Sciences
Faculty of Aerospace Engineering Study Collection
Faculty of Aerospace Engineering
Henri Baudet Institute Study Collection, Faculty of Industrial Design Engineering
Faculty of Industrial Design Engineering
And everyone involved across the various faculties for their help in reviewing, contributing ideas and making this exhibition possible.